Fifty-Fifty Club (30 x 40)

$495

Fifty-Fifty Club transports viewers to the infamous speakeasy located at 171-175 William Street, Darlinghurst, during the 1930s. The club was notorious for bringing together Sydney’s upper class and the criminal underworld, creating a unique space where boundaries blurred. At the heart of this lively venue were Nellie Cameron and Frank Green, a notorious couple whose lives intertwined with both glamour and violence. The Fifty-Fifty Club was more than just a venue—it was a symbol of the era’s social dualities, where wealth and crime often shared the same table.

Worst Women in Sydney (24 x 32)

$495

The Worst Women in Sydney focuses on two of the most notorious crime figures of the Razorhurst era: Tilly Devine and Kate Leigh, often referred to as “Queen Tilly” and “Queen Kate.” Both women were powerful crime bosses who dominated Sydney’s underworld with their rival empires—Devine in prostitution and Leigh in sly grog operations. Despite their ruthless reputations, both women left a lasting mark on Sydney’s criminal history.

Victoria Street (32 x 40)

$595

This piece tells the story of Juanita Nielsen, and is set at the site of her last home, a home shrouded in mystery and controversy. Juanita was a journalist and activist who fiercely opposed the development of Victoria Street, challenging powerful interests tied to Sydney’s property market. Her disappearance in 1975 remains unsolved, leaving behind questions about corruption and the power dynamics at play.

Queen Kate (20 x 30)

$495

Queen Kate celebrates Kate Leigh, the “Sly Grog Queen” of Surry Hills, whose reign over Sydney’s illegal alcohol trade made her one of the city’s most powerful figures. This piece not only honours Kate Leigh’s historical significance but also explores the complex interplay of law, crime, and survival in early 20th-century Sydney. Through Queen Kate, viewers are invited to consider the blurred lines between hero and villain, law and crime, in a world where survival was often the only rule.

Kiss of Death (30 x 40)

$495

Kiss of Death delves into the life of Nellie Cameron, one of Sydney’s most infamous women during the Razorhurst era. Known for her beauty and charm, Nellie earned the nickname “Kiss of Death” due to the tragic fates of many of her lovers, who often died in their attempts to keep her affections.

Fantastic Adventure! (15 x 20)

$395

In her later years, Lillian Armfield, Australia’s first female detective, became an avid reader of detective novels, an ironic twist given her own storied career battling Sydney’s criminal elite. Fantastic Adventure! is a tribute to Armfield’s twilight years, where she could indulge in the fantasy of the detective world without the danger.

The Cost of NOW (15 x 20)

$395

The Cost of NOW piece is a tribute to those who stand up for what they believe in, from union leaders like Jack Mundey to the nameless individuals who have fought for justice throughout history. This piece invites reflection on what we are willing to sacrifice for progress and how the weight of activism has been shouldered by individuals throughout Sydney’s history.

Tilly’s TOWN

$395

Tilly’s TOWN captures the height of Tilly Devine’s influence over Sydney’s underworld. Once upon a time, this city was hers. Tilly ruled with an iron fist, running illegal operations from Darlinghurst to Kings Cross. What does it mean to have ruled a city through crime, and how has this legacy shaped modern Sydney? By reflecting on Tilly’s empire, viewers are encouraged to think about how figures like her not only exploited the city but also contributed to its complex identity. The piece prompts questions about survival, dominance, and the lasting influence of those who once wielded unchecked power in a rapidly changing urban landscape.

Jack Mundey! (18 x 24)

$395

Celebrates Jack Mundey, the evolutionary union leader and environmental activist who fought to preserve the historical character of Sydney’s inner-city suburbs. Known as the “King of The Rocks,” Mundey led the Green Bans movement, halting the destruction of historic sites and ensuring that development was sustainable and community-focused.

Ramjet (30 x 20)

Edie Sedgwick